Lately, I’ve noticed that writers of action and suspense films and TV shows are encountering an amusing new storytelling problem: How to explain why their protagonist doesn’t just use his cell phone to get himself out of a predicament.
from Dan Gurewich (full post). I think so. Right now I see this frequently being feebly countered by the “no signal” conundrum. What will filmmakers do when the whole earth is covered?
stu jones!
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